Anna Járai, a Budapest-based artist and filmmaker, explores embodiment and memory from a feminist critical perspective, creating research- and performance-based, cross-genre works including films, photographs and installations. She draws inspiration from folklore, family history and local history, which she frequently references in ritualistic reinterpretations.

In 2022, she graduated from the Film programme at Falmouth University in the UK, and in 2026, she graduated with an MA in Fine Art from the Hungarian University of Fine Arts. Her work has screened and exhibited internationally, including at Encounters Film Festival, Millennium Film Workshop, and Mayfair Art Weekend. Following group shows at Tér-Kép Gallery and Turbina Cultural Centre, her debut solo exhibition, Habitus, opens this September at Cairo Contemporary in Budapest. In the spring of 2026, she was a fellow of the School of Artivism residency programme in Palermo, where she explored the themes of artistic activism and translocal solidarity. In early July, at the 5th Urban Camp organised by Tranzit, she led a participatory art workshop based on the theories of Silvia Federici, in which participants created experimental animations around the social significance of gossip.

Giun Trym (he/him) is a speculative social designer and a human rights defender. His work spans from micro-, meso-, to macro-politics as he founded a youth-led organization in the Czech Republic to organize parties for social transformation, while writing human rights violation reports to the UN Human Rights Council. During his free time, Giun also runs a meme page (or the meme page runs him?). As the nature of his work harmonizes between politics, culture, and design, Giun utilizes his background to put abstract theories into real-world politics and diplomacy.

World Bridge Initiatives (WBI)
giuntrym.teamx@gmail.com

Jon trained as an architect, and currently is a researcher, practitioner and educator at the RCA, the University of Westminster (MSc Advanced Environmental Design), and the Bartlett (MArch).

In relation to Climate Justice research and the Environmental Architecture programme at the RCA, his recent work and publications have focused on the need for an dialogical re-conception of design, planning and strategy in relation to the emerging demands for global and local Green New Deals, while his co-authored 2014 book The Design of Scarcity has recently been translated into German (2018) and Greek (2020).

Work based in material from the Bateson archive, together with various dialogic and pedagogic experiments, is moving towards a book entitled The Ecological Calculus, while a series of environmental architecture field projects are underway in Greece, in particular around evaporative cooling and pollution in Athens.

Yasmine Amal is a self-taught artist based between Morocco and Berlin. Her work explores kinship, feminity and spiritual interconnectedness within an elemental and metaphysical space, unfolding through bold colours and rhythmic patterns.

Before pursuing a career in art in 2023, she worked in international relations with a focus on violent extremism and social cohesion. She is committed to fostering dialogue and social transformation through her artistic and professional practice.

As an Indigenous futurist, she interweaves sufi thought with collectivist and ecological narratives to create gateways beyond the anthropocene. Her intuition-based approach channels sensuality and ancestral knowledge, inviting viewers into a playground for imagination. She approaches painting as a way to hold complexity, seeking to reconcile spirituality and logic, ego and soul within the different dimensions of colour and texture.

Her symbolism is shaped by her Amazigh heritage and a deep connection to nature. Especially the ocean guides her artistic journey as both inspiration and metaphor.

Since starting to work as an artist in 2023, her works have been featured in group exhibitions at venues such as Künstlerhaus Bethanien in Berlin, Artorium, and Mordan Art Gallery in Casablanca. She is a finalist for the Prix Mustaqbal, an award recognizing emerging artistic talents in Morocco. She currently holds her first solo show at Gallery Grolman in Berlin. Alongside her practice she holds creative workshops, cultivating spaces for cross-cultural dialogue and resilience.